The Image Culture
by Christine Rosen
An excellent essay on contemporary Semiology and American culture on a global stage.
When Hurricane Katrina struck the Gulf Coast of Mississippi, Alabama, and Louisiana in late August, images of the immense devastation were immediately available to anyone with a television set or an Internet connection. Although images of both natural and man-made disasters have long been displayed in newspapers and on television, the number and variety of images in the aftermath of Katrina reveals the sophistication, speed, and power of images in contemporary American culture. Satellite photographs from space offered us miniature before and after images of downtown New Orleans and the damaged coast of Biloxi; video footage from an array of news outlets tracked rescue operations and recorded the thoughts of survivors; wire photos captured the grief of victims; amateur pictures, taken with camera-enabled cell phones or digital cameras and posted to personal blogs, tracked the disaster’s toll on countless individuals. The world was offered, in a negligible space of time, both God’s-eye and man’s-eye views of a devastated region. Within days, as pictures of the squalor at the Louisiana Superdome and photographs of dead bodies abandoned in downtown streets emerged, we confronted our inability to cope with the immediate chaos, destruction, and desperation the storm had caused. These images brutally drove home the realization of just how unprepared the U.S. was to cope with such a disaster.
But how did this saturation of images influence our understanding of what happened in New Orleans and elsewhere? How did the speed with which the images were disseminated alter the humanitarian and political response to the disaster? And how, in time, will these images influence our cultural memory of the devastation caused by Hurricane Katrina? Read More...
link courtesy of: Arts & Letters Daily
An excellent essay on contemporary Semiology and American culture on a global stage.
When Hurricane Katrina struck the Gulf Coast of Mississippi, Alabama, and Louisiana in late August, images of the immense devastation were immediately available to anyone with a television set or an Internet connection. Although images of both natural and man-made disasters have long been displayed in newspapers and on television, the number and variety of images in the aftermath of Katrina reveals the sophistication, speed, and power of images in contemporary American culture. Satellite photographs from space offered us miniature before and after images of downtown New Orleans and the damaged coast of Biloxi; video footage from an array of news outlets tracked rescue operations and recorded the thoughts of survivors; wire photos captured the grief of victims; amateur pictures, taken with camera-enabled cell phones or digital cameras and posted to personal blogs, tracked the disaster’s toll on countless individuals. The world was offered, in a negligible space of time, both God’s-eye and man’s-eye views of a devastated region. Within days, as pictures of the squalor at the Louisiana Superdome and photographs of dead bodies abandoned in downtown streets emerged, we confronted our inability to cope with the immediate chaos, destruction, and desperation the storm had caused. These images brutally drove home the realization of just how unprepared the U.S. was to cope with such a disaster.
But how did this saturation of images influence our understanding of what happened in New Orleans and elsewhere? How did the speed with which the images were disseminated alter the humanitarian and political response to the disaster? And how, in time, will these images influence our cultural memory of the devastation caused by Hurricane Katrina? Read More...
link courtesy of: Arts & Letters Daily
posted by sky at 3:53:00 AM
0 Comments:
Post a Comment
<< Home